- Year 2011
- Writed by Andrew Lloyd Webber
- 7369 votes
- 137minutes
- countries UK
- A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves
Not gonna lie, other than the great singing, Phantom’s hair got a reaction out of me. ‘Holy hell, his hair is so slick.
I dont know of any recorded show of Starlight Express but it would be incredible to have it here. (Like the Bochum production with subtitles.
The Phantom of the Opera is there.
I heard about love never dies. I’m very sad bacause the actors were not sierra and ramin
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Christine: Opens the fridge for a midnight snack. Phantom: SIIIIIING FOR MEEEEEEE.
Good show coming up, good music and a good variety
After watching this i bought this recording in amazon because i just had to watch it again. Seriously the best cast, Ramin is definitely the best phantom in my opinion. So talented, i could watch this over and over and never get bored. Wow.
Where night is blind.
And in this labyrinth.
I did the show at my school ☺Hardest show i’ve ever done.
Great film.
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I liked how Ramin and Sierra worked in some of the choreography they usually do for the Music of the Night as they sang the title song.
Why has this been cut off and deleted.
Everyone likes Raul mostly but I hate that she didnt choose the phantom always gets me every single damn time so upset I would of chose him.
Whose here to agree that Marcelito Pomoy sing this on AGT in the final.
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Sarah is forever Andrew’s his love for her remains in his 💓 heart.
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Sing for me! Me: u n h o l y s c r e e c h i n g.
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Dammit I don’t know who’s better now, Crawford or this guy.
Nothing could ever top this extraordinary performance and duet with Ramin and Sierra.
The Phantom of the Opera is one of my personal favourites, and for me easily Andrew Lloyd Webber’s best musical(though I do have a soft spot for Joseph. Anybody who loves The Phantom of the Opera will fall in love with this Royal Albert Hall performance, and while I didn’t hate the 2004 film as much as others did this performance is a huge improvement. The costumes and sets are sumptuous and exquisite to look at. The camera work allows you to admire the production design and does so unobtrusively, often it has a very cinematic look which I loved without feeling overblown. The sound is resonant and clear, giving the feeling that you are actually there at the ROH watching it live. The orchestra give the score the powerful sweep it should have, a great thing in itself as it is one of those musicals where every song works. The chorus enunciate clearly and have a vibrant and carefully-blended sound. The stage direction is hugely compelling all the way, you are thrilled, terrified and moved to tears throughout and you do empathise with the characters and are fully engaged in Phantom and Christine’s love-hate relationship. Nothing feels overdone or stillborn, you do miss the falling chandelier set-piece but at the same time you can understand considering the venue why it wasn’t done. The singing is fantastic, embracing the somewhat exposed- from my experience having performed at ROH with various choruses at 3 Christmas concerts, one concert as a guest choir and 2 prom performances- acoustic.
Ramin Karimloo is an incredibly powerful Phantom, imposing in stature, somewhat scary, somewhat seductive and very affecting, and he has a gorgeous voice, one of the most beautiful of anybody in the role in my opinion. His make-up is genuinely hideous, and Music of the Night is really heartfelt. Sierra Boggess’ Christine is alluring, charming and her stage presence is as moving as Karimloo’s. Her soprano voice is bright and lyrical with no breathy sound(despite some of her breathing having a gasping quality) and I personally prefer her high notes to Sarah Brightman’s finding them much clearer. Wishing You Were Somehow Here Again had me weeping buckets. Raoul is I agree more abrasive than usual, but Hadley Fraser still sings beautifully- especially in All I Ask of You- and doesn’t forget to act. All the supporting roles are filled solidly, but I want to really credit Kiera Duffy, she is every bit the Prima-Donna diva Carlotta ought to be but displays also a sympathetic and vulnerable side that I have rarely if ever seen from past Carlottas, most of which are basically caricatures. We are also given the bonus of having the likes of Sarah Brightman, John Owen Jones, Anthony Warlow and Colm Wilkinson performing, Michael Crawford doesn’t sing but it was still a pleasure to see him. I was less taken by Peter Joback, it is a rather a lightweight sound and sounds rather nasal, a sound that is not very easy to warm to. But he isn’t enough to bring down the performance in any way because everything else is so good. The appearance also of Andrew Lloyd Webber himself was also very touching. In conclusion, amazing, if you love The Phantom of the Opera this is everything you could possibly want and more.
10/10 Bethany Cox.
Seen multiple Phantoms now at Broadway and the West End
If a man sang like this to ‘s sure that I am finished, this voice is so powerful and sacred.
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She is amazing, but THE TWO OF THEM TOGETHER OMGG. PERFECTION AT ITS ABSOLUTE FINEST.
Homie Im straight fr fr but if Ramin Karimloo tells me to sing like that imma sing.
Shes amazing. Makes it look so easy. So clean. Perfection.
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Sobbing. breathtaking. so inspirational for a young artists. this is my dream role. about to embark on a journey to study musical theatre in Manhattan and i couldn’t be happier.
Warlow saved his arse.
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